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  • Jinny Webber | Greek Myths Revisited
    by Jinny Webber | September 4, 2025 | Bronze Age Greece, Gender fluidity, Greek gods and goddesses, Greek myth, Metamorphoses | 1 Comment
  • Serendipity | Jinny Webber
    Libraries have been places of magical potential since I was a child, a source of delightful surprises For magic to work one must be receptive, and nowhere am I more so than among stacks of long-ago purchased and much-thumbed volumes
  • Greek myth | Jinny Webber
    Imagining Bronze Age Greece by Jinny Webber | Sep 4, 2025 | Bronze Age Greece, Gender fluidity, Greek gods and goddesses, Greek myth, Metamorphoses | 1 comment Imagining Bronze Age Greece The challenge of writing historical fiction is getting into the minds of people living in very different times from our own Visiting archeological ruins of ancient civilizations tempts one to imagine those
  • Boy Actors in England | Jinny Webber
    “Acting is too dangerous a life for a woman, traveling about, meeting all sorts, wearing costumes, pretending and lying ” Jack Wilson in Chapter II, The Secret Player In his book Impersonations (Cambridge University Press, 1996), Stephen Orgel raises the question of why in Elizabethan England, alone of European countries, only boys were permitted to play women’s roles onstage It’s not
  • Books | Jinny Webber
    The Secret Player The backstage story of Shakespeare’s theatre is told by a village girl who, taking a boy’s name and disguise, escapes into the London of actors, poets, and playwrights where women are not allowed to perform onstage The adventures of Alexander Cooke, player boy, involve challenges of gender, complications of the heart, and political turmoil during the reign of Queen
  • Women Writers in Shakespeare’s Era | Jinny Webber
    Early in Bedtrick when faced with a dilemma, Sander seeks out her old friend Mary Sidney Herbert, the Countess of Pembroke Unlikely as a friendship between an actor and a noble woman may seem, their connection is long-standing The Countess has a special interest in
  • School of Mirrors | Jinny Webber
    Eva Stachniak focuses on an intense era: France from 1755 to 1793 School of Mirrors is a three-generation epic, divided into five parts As the story opens, King Louis XV is a man who fancies beautiful girls of lower class origins, to be trained in Versailles in obedience and the gracious arts Veronique, the narrator of the early sections, becomes his favorite, believing her patron to be a
  • Portia | Jinny Webber
    “Good riddance!” Portia slams the door “This test is infuriating!” She yanks the curtain closed over the three caskets, gold, silver, and lead “What was my father thinking, subjecting me to all these tedious fops? I’ll have to marry the one who guesses right ”
  • Black Writers, White Gaze | Jinny Webber
    Book review essay, Black Writers, White Gaze, published March 28, 2021, California Review of Books, CALIRB com
  • Elizabethan Masquerade | Jinny Webber
    The fashionable Englishman is “the ape of all nation’s superfluities, the continual Masquer of outlandish habiliments ” Thomas Nashe, Su mmer’s Last Will and Testament, quoted by Jane Ashelford, Dress in the Age of Elizabeth I, 1988 Elizabethan loved costumes Often it’s difficult to distinguish whether a portrait-sitter wears his or her best clothing or a costume Richard Sackville





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